Abraham Lincoln
Who Was Abraham Lincoln?
Abraham Lincoln was the 16thpresident of the United States, serving from to , and is regarded as one of America’s greatest heroes due to his roles in guiding the Union through the Civil War and working to emancipate enslaved people. His eloquent support of democracy and insistence that the Union was worth saving embody the ideals of self-government that all nations strive to achieve. In , he issued the Emancipation Proclamation, which freed slaves across the Confederacy. Lincoln’s rise from humble beginnings to achieving the highest office in the land is a remarkable story, and his death is equally notably. He was assassinated by John Wilkes Booth in , at age 56, as the country was slowly beginning to reunify following the war. Lincoln’s distinctively humane personality and incredible impact on the nation have endowed him with an enduring legacy.
Quick Facts
FULL NAME: Abraham Lincoln
BORN: February 12,
DIED: April 15,
BIRTHPLACE: Hodgenville, Kentucky
SPOUSE: Mary Todd Lincoln (m. )
CHILDREN: Robert Todd Lincoln, Edward Baker Lincoln, William Wallace Lincoln, and Thomas “Tad” Lincoln
ASTROLOGICAL SIGN: Aquarius
HEIGHT: 6 fe
Wosene Worke Kosrof : Painter/Sculptor
Biographical Sketch
Born in in the Arat Kilo district of Addis Ababa, Wosene Worke Kosrof is a contemporary artist who has achieved international acclaim. Formally trained at the Addis Ababa School of Fine Arts, he completed a BFA with distinction in Then, as a Ford Foundation Talent Scholar, he was awarded an MFA in from Howard University in Washington, DC.
Over the past four decades, Wosene (his professional name) has created an internationally recognized artistic signature in his work by being the first contemporary Ethiopian-born artist to use the script forms – fiedel – of his native Amharic as a core element in his paintings and sculptures. This recognizable ‘signature’ emerges from the way he elongates, distorts, dissects and reassembles Amharic symbols – not as literal words – but as images that speak for themselves in a visual language accessible to international audiences. Jazz improvisations underlie his compositions, animating them with rhythmic movements and emboldening his masterful use of color.
The very nature of Wosene’s work – his visual vocabulary, his ‘mapping’ of cultures across time and place, his sen
I create a visible, interactive surface – like visual icons that are accessible to everyone. My paintings invite viewers to dialogue with them, to take them into their memory.
WOSENE WORKE KOSROF has created an internationally recognized artistic signature in his work by being the first contemporary Ethiopian-born artist to use the script forms – fiedel – of his native Amharic as a core element in his paintings. He paints from a place between accident and intention, curiosity and discovery, mastery and uncertainty – and so the viewer too can approach his work to discover meanings that emerge through their interaction.
While attending Howard University, he was surprised that his art history professor was lecturing about his paintings as examples of the new contemporary art coming out of Africa. As a student in at the School of Fine Arts, Addis Ababa, he had begun showing his paintings in Ethiopia, as well as in the USA, and was pleased that he was already becoming recognized as an artist so early on in his career.
His work can be found in museum collections, including the Smithsonian National Museum of African Art, Washington, DC; National Museum of Ethiopia, Addis A
Building with Words V,
28 x 28 inches | acrylic on canvas
Born in in Addis Ababa, Ethiopia, Wosene is a contemporary artist who has achieved international acclaim. Formally trained at the Addis Ababa School of Fine Art, he completed a BFA with distinction in Then, as a Ford Foundation Talent Scholar, he was awarded an MFA in from Howard University in Washington, DC.
Over the past four decades, Wosene has created an internationally recognized artistic signature though the expressive use of his native Amharic script as a core motif in his paintings and sculptures. This recognizable ‘signature’ emerges from the way he elongates, distorts, dissects and reassembles Amharic calligraphy – not as literal words – but as images that speak for themselves in a visual language accessible to international audiences. Jazz improvisations underlie his compositions, animating them with rhythmic movements and emboldening his masterful use of color.
The very nature of Wosene’s work – his visual vocabulary, his ‘mapping’ of cultures across time and place, his sensual use of form and color –
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