Antoni Gaudí
Between and , Gaudí took on his first project for Güell, which was the building of the same name constructed in Calle Nueva de la Rambla, characterised by a marked use of Gothic elements. The six-floor house is built around a full-height salon with a richly-decorated ceiling and is also the first work to feature the parabolic arches which were to become a typical element in his architecture. On the main floor, the details are constructed with extreme ingenuity. The windows on the façade feature delicate elements in iron, and when the wooden shutters are opened, they slot into the jambs, becoming ornate murals.
A decorative wealth which was to peak in later designs, grouped together by critics under the name of “expressionist naturalism”, seen as the ability to transform decorations - generally inspired by the animal kingdom - and the plastic nature of architecture on all scales, into a remarkable revolution of an almost baroque style. Examples include Casa Calvet, () with its extraordinary façade in carved stone, the crypt of the church in Colonia Güell () in Santa Coloma de Cervelló – a forest of majestic pillars all inclined differently – and the en
Barcelona's Antoni Gaudí: Thoroughly Catalán, Thoroughly Unmatched
Gaudí was born in Reus in Reus was a small town outside of Tarragona, about an hour and a half from Barcelona.
The future architect's love for nature emerged out of a childhood wracked with the pain of rheumatoid arthritis. Gaudí's mother took him for trips into the Tarragona countryside, as she believed that a little exercise and fresh air would help him combat his illness.
Amid the rolling hills and fields of almond trees, Gaudi's eyes awoke to the elegance and harmony of nature.
He finished his secondary schooling in Barcelona, where he continued his education at a Barcelona university (Escola Tècnica Superior d'Arquitectura de Barcelona).
Like any starving student, Gaudí used his abilities to earn cash to pay for school. He befriended local architects and businessmen, who in turn hired him for odd jobs and apprentice work.
The budding genius graduated from university in That year, he landed his first and only public contract, the result of which – a series of iron-laden lampposts – still stand in the Gothic Quarter's Plaza Reial.
That same year, he befriended Eusebi Güell, a wealthy Barcelona busin
Antoni Gaudí
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Who Was Antoni Gaudí?
The son of a coppersmith, Antoni Gaudí was in and took to architecture at a young age. He attended school in Barcelona, the city that would become home to most of his great works. Gaudí was part of the Catalan Modernista movement, eventually transcending it with his nature-based organic style.
Early Years
Gaudí was born in Catalonia on the Mediterranean coast of Spain on June 25, He showed an early interest in architecture and went to study in Barcelona — Spain's most modern city at the time — circa After his studies were interrupted by military service, Gaudí graduated from the Provincial School of Architecture in
Development as a Professional Architect
Upon graduation, Gaudí initially worked in the artistic vein of his Victorian predecessors, but he soon developed his own style, composing his works with juxtapositions of geometric masses and animating the surfaces with patterned brick or stone, bright ceramic tiles and floral or reptilian metalwork. The salamander in Park Güell, for instance, is representative of Gaudí's work.
During his early period, at the Paris World's Fair of , Gaudí displayed a showcase he had produced, w
So, decorative details inspired by that period of architecture coexisted with asymmetrical compositions, the windings, sculptural volumes, and later with architecture combining them with planes and straight lines in the successive moments that marked this current that began around the ’s and lasted until well into the twentieth century. His work lived with all phases of modernism, being influenced by each, but well above the mere decorative vocation that was one of the main features of this artistic movement.
Gaudí’s work during his almost half century long working life took in mainly residential and religious buildings. Noteworthy among the former are his works for Güell and his houses for Milà, Batlló, Calvet and Vicens. His work of a religious nature began in his earliest years, with diverse projects for altars and reredos carried on. It matured with buildings such as the Teresian School in Barcelona or the Astorga Bishop Palace and culminated in the unfinished church of Colonia Güell, all this combined with his ongoing work on the Sagrada Familia.
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